Photographer: onbekend

dr. P.G.F. (Peter) Eversmann


  • Faculty of Humanities
    Theatre Studies
  • Visiting address
    Universiteitstheater
    Nieuwe Doelenstraat 16-18  Room number: 0.13
  • Postal address:
    Nieuwe Doelenstraat  16-18
    1012 CP  Amsterdam
  • P.G.F.Eversmann@uva.nl
    T: 0205252286
    T: 0205252287

Curriculum Vitae

Peter Eversmann studied in Wittenburg University, Springfield, USA (1973-74) and History of Art & Archeology (1974-78) followed by Theatre (1978-1982) at the University of Amsterdam, the Netherlands. He is Associate Professor at the Department of Theatre Studies ( leerstoelgroep Theaterwetenschap ), Coordinator of the Researchmaster Art Studies ( onderzoeksmaster Kunstwetenschappen ) and  Associate-Director of School of Art, Religion, and Cultural Sciences  ( Onderwijs Instituut Kunst, Religie en Cultuurwetenschappen )  

He is also vice-president of the International Federation for Theatre Research/Fédération Internationale pour la Recherche Théâtrale (see link below: IFTR/FIRT).

A complete CV can be accessed through clicking thelink below (CV)

Publications

Download a complete list of publications below (publications)

Dissertation

EVERSMANN, Peter G.F., De ruimte van het theater. Een studie naar de invloed van de theaterruimte op de beleving van voorstellingen door de toeschouwer. (dissertatie Universiteit van Amsterdam), Amsterdam, 1996.

Theatrical Events.Borders - Dynamics - Frames. IFTR/FIRT. Theatrical Event Working Group.

CREMONA, Vicky Ann, Peter EVERSMANN, Hans van MAANEN, Willmar SAUTER and John TULLOCH (Eds.)
Amsterdam/New York, NY, 2004, VI, 398 pp.

Theatrical Events. Borders, Dynamics and Frames is written to develop the concept of 'Eventness' in Theatre Studies. The book as a whole stresses the importance of understanding theatre performances as aesthetic-communicative encounters of a wide range of agents and aspects. The Theatrical Event concept means not only that performers and spectators meet, but also that the specific mental sets, backgrounds and cultural contexts they bring in, strongly contribute to the character of a particular event.
Moreover, this concept gives space to the study of the role societal developments - such as technological, political, economical or educational ones - play in theatrical events.

Links

[This section is still under construction: more links will follow] 

A publication that can be accessed through the web: "The Theatron Module Guide to Good Practice" Didaskalia: Ancient Theatre Today Vol 6 Issue 2 - Summer 2005 [Electronic Journal (ISSN 1321-4853) see:

2013

  • Eversmann, P. G. F. (2013). 'Founded for the Ears and Eyes of the People': Picturing the Amsterdam Schouwburg from 1637. In J. Bloemendal, P. G. F. Eversmann, & E. Strietman (Eds.), Drama, performance and debate: theatre and public opinion in the early modern period. (pp. 269-296). (Drama and Theatre in Early Modern Europe; No. 2). Leiden/Boston: Brill. DOI: 10.1163/9789004236998_013  [details] 
  • Eversmann, P. (2013). Education - Performing Arts - Information Technology: An Impossible Triangle? Lecture Notes in Computer Science, 7990, 175-191. DOI: 10.1007/978-3-642-40050-6_16  [details] 

2012

  • Eversmann, P. G. F. (2012). Knowledge Management in Performing Arts Education. In P. Nesi, & R. Santucci (Eds.), Proceedings ECLAP 2012: 1st International Conference on Information Technologies for Performing Arts, Media Access and Entertainment: Florence 7-9 may 2012. (pp. 81-88). Firenze: Firenze University Press. [details] 

2011

  • Eversmann, P. G. F. (2011). Dramaturgy - Staging Problems in Vondel’s Gysbreght van Aemstel. In J. Bloemendal, F-W. Korsten, & F. Korsten (Eds.), Joost van den Vondel (1587-1679): Dutch Playwright in the Golden Age. (pp. 285-316). (Drama and Theatre in Early Modern Europe; No. 1). Leiden/Boston: Brill. [details] 

2007

  • Eversmann, P. G. F. (2007). 'The Feast of Saint Nicholas in the Low Countries'. In T. Hauptfleisch (Ed.), Festivalising! Theatrical Eevents, Politics and Culture. (pp. 281-298). (Themes in Theatre. Collective Approaches to Theatre and Performance; No. 3). Amsterdam, New York: Rodopi. [details] 
  • Eversmann, P. G. F. (2007). 'The International Theatre Exhibition of 1922 and the Critics'. In K. Beekman, & J. de Vries (Eds.), Avant-garde and criticism. (pp. 67-90). (Avant garde critical studies; No. 21). Amsterdam: Amsterdam, New York. [details] 

2014

  • Eversmann, P., & van der Zalm, R. (2014). Vijftig jaar Theaterwetenschap, een institutionele geschiedenis. In S. Alting van Geusau, P. Eversmann, & R. van der Zalm (Eds.), Theaterwetenschap aan de Amstel: vijftig jaar onderwijs en onderzoek aan de Universiteit van Amsterdam. (pp. 37-86). Amsterdam: Amsterdam University Press. [details] 

2009

  • Hasan, A., Blumenreich, U., Brown, B., Eversmann, P., & Zurlo, F. (2009). Reforming arts and culture higher education in Portugal: report of an international panel of experts. [S.l.]: Ministry of Science, Technology, and Higher Education. [details] 

2007

  • Eversmann, P. G. F. (2007). 'Assessing the Stream: Evaluative Reflexivity in a Multi-Platform E-Learning Project'. Warwick Interactions Journal, 29. [details] 
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library  or the Pure staff  of your faculty / institute. Log in to Pure  to edit your publications.
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